前身(🕕)是皇(🌠)軍(jun1 )(👷)軍港的吳港,戰(zhàn )後(📒)成為船塢工(gōng )人的生活煉(làn )獄。在資本(běn )(🤴)家(🍥)剝削和枯燥生活的雙重煎熬下,躁動的年(nián )輕(qīng )(📿)生(🌫)命(👋),一頭栽進暴力漩渦(😎),延擱成長,終(zhōng )日(rì )(🎩)在打(dǎ )鬥、賭博、酗酒(💆)中(✳)尋找(zhǎo )暫(🛹)時的麻醉。吉(jí )田(📞)喜重(chóng )通過工(😚)頭(tóu )之眼,對不(bú )合(🚑)理的(🥀)社會現實(shí )作(🤷)出(chū )欲迎還(🚢)拒的批判,被(bèi )視為(wéi )日(🚨)本新浪潮代表作(zuò )之一。香山美子飾(💻)演(🗞)純真的酒館女待,同情工人(rén )卻慘(🙀)被強姦,正與負的能量(liàng ),在大時代中比(bǐ )拼互滲(👺),可(kě )有超(chāo )越對(🕐)與(🐀)錯(🧟),是與非的位置(👣)?片末火車站送別一場,在家和(hé )社會之間,吉田喜重作出(chū )(👪)了左翼的選擇。 One of the key films ushering in the Shochiku New Wave era, this raw tale of migrant laborers at a post-war naval base simmers with youthful outrage. Responsible shipyard worker Shimazaki (Hayakawa) is put in charge of new recruits from Osaka. The immature gang quickly finds trouble drinking, gambling, and fighting, and eventually trespassing against what Shimazaki holds most dear - local bargirl Nobu. Revenge, honor, and loyalty are all called into question. Yoshida's groundbreaking film portrayed real social issues in an unromantic light, and paved the way for all the cinematic roughs to come. (💝)- SummerIFF 2007
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